{"id":7865,"date":"2026-02-11T10:46:19","date_gmt":"2026-02-11T09:46:19","guid":{"rendered":"https:\/\/filmmadrid.com\/noticias\/?p=7865"},"modified":"2026-02-11T13:06:12","modified_gmt":"2026-02-11T12:06:12","slug":"madrid-en-corto-2026-los-ocho-cortometrajes-seleccionados-que-llevaran-el-talento-madrileno-a-festivales-internacionales","status":"publish","type":"post","link":"https:\/\/filmmadrid.com\/noticias\/madrid-en-corto-2026-los-ocho-cortometrajes-seleccionados-que-llevaran-el-talento-madrileno-a-festivales-internacionales\/","title":{"rendered":"Madrid en Corto 2026: los ocho cortometrajes seleccionados que llevar\u00e1n el talento madrile\u00f1o a festivales internacionales\u00a0"},"content":{"rendered":"\n<p>La Comunidad de Madrid ha anunciado los ocho cortometrajes que integrar\u00e1n el&nbsp;<strong>cat\u00e1logo&nbsp;<\/strong><strong><em>Madrid en Corto 2026<\/em><\/strong>, una iniciativa que garantiza durante un a\u00f1o la&nbsp;<strong>distribuci\u00f3n nacional e internacional<\/strong>&nbsp;de las obras seleccionadas mediante una estrategia personalizada y dotaci\u00f3n econ\u00f3mica espec\u00edfica.&nbsp;<\/p>\n\n\n\n<p>Promovido por la&nbsp;<strong>Direcci\u00f3n General de Cultura e Industrias Creativas<\/strong>&nbsp;de la Consejer\u00eda de Cultura y Turismo,&nbsp;<em>Madrid en Corto<\/em>&nbsp;es uno de los programas de apoyo al cortometraje m\u00e1s consolidados del panorama audiovisual espa\u00f1ol. Desde su creaci\u00f3n en 2005, un comit\u00e9 formado por profesionales del sector selecciona anualmente los trabajos que formar\u00e1n parte del cat\u00e1logo, con el objetivo de impulsar su presencia en festivales, muestras y mercados de todo el mundo.&nbsp;<\/p>\n\n\n\n<p>La edici\u00f3n de 2026 re\u00fane&nbsp;<strong>cuatro cortometrajes de ficci\u00f3n, tres documentales y una obra de animaci\u00f3n<\/strong>, reflejando una amplia diversidad de g\u00e9neros, miradas y tem\u00e1ticas. El jurado ha estado compuesto por&nbsp;<strong>Rub\u00e9n Corral<\/strong>&nbsp;(Coordinador de Programaci\u00f3n de ZINEBI),&nbsp;<strong>Elsa T\u00e9bar<\/strong>&nbsp;(Coordinadora de redacci\u00f3n de&nbsp;<em>Caim\u00e1n. Cuadernos de cine<\/em>) y&nbsp;<strong>Sara de la Fuente<\/strong>&nbsp;(productora de&nbsp;Mammut&nbsp;Films).&nbsp;<\/p>\n\n\n\n<p>A continuaci\u00f3n, repasamos&nbsp;<strong>uno a uno los t\u00edtulos seleccionados<\/strong>.&nbsp;<\/p>\n\n\n\n<p><strong>Cat\u00e1logo&nbsp;<\/strong><strong><em>Madrid en Corto 2026<\/em><\/strong>&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Cine Dor\u00e9<\/strong>&nbsp;<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"637\" height=\"901\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/image-2.webp\" alt=\"\" class=\"wp-image-7868\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/image-2.webp 637w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/image-2-353x500.webp 353w\" sizes=\"auto, (max-width: 637px) 100vw, 637px\" \/><\/figure>\n\n\n\n<p><em>Direcci\u00f3n: Guillermo Logar&nbsp;|&nbsp;Documental<\/em>&nbsp;<\/p>\n\n\n\n<p>Un retrato de la m\u00edtica sala Cine Dor\u00e9 (sede de Filmoteca Espa\u00f1ola), construido a partir de varios d\u00edas de rodaje y entrevistas para capturar el pulso cotidiano del cine como lugar de memoria.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"365\" data-id=\"7869\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_1-1024x365.webp\" alt=\"\" class=\"wp-image-7869\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_1-1024x365.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_1-500x178.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_1-768x274.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_1-1536x547.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_1-2048x730.webp 2048w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_1-1568x559.webp 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"365\" data-id=\"7871\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_2-1024x365.webp\" alt=\"\" class=\"wp-image-7871\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_2-1024x365.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_2-500x178.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_2-768x274.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_2-1536x547.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_2-2048x730.webp 2048w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_2-1568x559.webp 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"365\" data-id=\"7870\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_3-1024x365.webp\" alt=\"\" class=\"wp-image-7870\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_3-1024x365.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_3-500x178.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_3-768x274.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_3-1536x547.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_3-2048x730.webp 2048w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_3-1568x559.webp 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"361\" data-id=\"7872\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_5-1024x361.webp\" alt=\"\" class=\"wp-image-7872\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_5-1024x361.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_5-500x176.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_5-768x271.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_5-1536x541.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_5-2048x722.webp 2048w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_5-1568x553.webp 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"364\" data-id=\"7873\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_6-1024x364.webp\" alt=\"\" class=\"wp-image-7873\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_6-1024x364.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_6-500x178.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_6-768x273.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_6-1536x546.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_6-2048x729.webp 2048w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_6-1568x558.webp 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"365\" data-id=\"7874\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_7-1024x365.webp\" alt=\"\" class=\"wp-image-7874\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_7-1024x365.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_7-500x178.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_7-768x274.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_7-1536x548.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_7-2048x731.webp 2048w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Cine_Dore_7-1568x559.webp 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>El santo<\/strong>&nbsp;<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"631\" height=\"901\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/image.webp\" alt=\"\" class=\"wp-image-7866\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/image.webp 631w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/image-350x500.webp 350w\" sizes=\"auto, (max-width: 631px) 100vw, 631px\" \/><\/figure>\n\n\n\n<p><em>Direcci\u00f3n: Carlo&nbsp;D\u2019Ursi&nbsp;| Documental (autobiogr\u00e1fico)<\/em>&nbsp;<\/p>\n\n\n\n<p>Un nieto regresa al pueblo de su abuelo, un m\u00e9dico al que muchos recuerdan como \u201cun santo\u201d. Entre testimonios sobre supuestos milagros y la mirada de la familia, el corto reflexiona sobre la bondad cotidiana y el legado.&nbsp;El cortometraje ha iniciado ya un destacado recorrido en festivales y ha sido&nbsp;<strong>nominado al Goya&nbsp;a&nbsp;Mejor Cortometraje Documental<\/strong>.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"577\" data-id=\"7876\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-1-1024x577.avif\" alt=\"\" class=\"wp-image-7876\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-1-1024x577.avif 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-1-500x282.avif 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-1-768x433.avif 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-1-1536x866.avif 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-1-1568x884.avif 1568w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-1.avif 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"625\" data-id=\"7875\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-2-1024x625.webp\" alt=\"\" class=\"wp-image-7875\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-2-1024x625.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-2-500x305.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-2-768x469.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-2.webp 1140w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"540\" data-id=\"7879\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-3-1024x540.webp\" alt=\"\" class=\"wp-image-7879\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-3-1024x540.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-3-500x264.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-3-768x405.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-3-1536x810.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-3-1568x827.webp 1568w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-3.webp 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"540\" data-id=\"7878\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-4-1024x540.webp\" alt=\"\" class=\"wp-image-7878\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-4-1024x540.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-4-500x264.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-4-768x405.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-4-1536x811.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-4-1568x827.webp 1568w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-4.webp 1770w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"540\" data-id=\"7877\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-5-1024x540.webp\" alt=\"\" class=\"wp-image-7877\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-5-1024x540.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-5-500x264.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-5-768x405.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-5-1536x810.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-5-1568x827.webp 1568w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/El-santo-5.webp 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>La f\u00e1bula de la punki adolescente<\/strong>&nbsp;<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"643\" height=\"901\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/image-1.webp\" alt=\"\" class=\"wp-image-7867\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/image-1.webp 643w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/image-1-357x500.webp 357w\" sizes=\"auto, (max-width: 643px) 100vw, 643px\" \/><\/figure>\n\n\n\n<p><em>Direcci\u00f3n: Juan Vicente Castillejo\u00a0|\u00a0Comedia<\/em><\/p>\n\n\n\n<p>Con un tono irreverente y po\u00e9tico, este cortometraje construye el retrato de una adolescente que desaf\u00eda las normas establecidas desde los m\u00e1rgenes. A medio camino entre el realismo y la f\u00e1bula contempor\u00e1nea, la obra aborda temas como la identidad, la rebeld\u00eda y la necesidad de pertenencia, poniendo el foco en la mirada joven como motor de transformaci\u00f3n.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"711\" data-id=\"7880\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/PUNKI_STILL_PROVISIONAL-1024x711.webp\" alt=\"\" class=\"wp-image-7880\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/PUNKI_STILL_PROVISIONAL-1024x711.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/PUNKI_STILL_PROVISIONAL-500x347.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/PUNKI_STILL_PROVISIONAL-768x533.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/PUNKI_STILL_PROVISIONAL-1536x1067.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/PUNKI_STILL_PROVISIONAL.webp 1555w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Ma\u00f1ana s\u00ed que s\u00ed<\/strong>&nbsp;<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"691\" height=\"1024\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Manana-si-que-si_CARTEL-691x1024.webp\" alt=\"\" class=\"wp-image-7881\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Manana-si-que-si_CARTEL-691x1024.webp 691w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Manana-si-que-si_CARTEL-338x500.webp 338w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Manana-si-que-si_CARTEL-768x1138.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Manana-si-que-si_CARTEL-1037x1536.webp 1037w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Manana-si-que-si_CARTEL.webp 1296w\" sizes=\"auto, (max-width: 691px) 100vw, 691px\" \/><\/figure>\n\n\n\n<p><em>Direcci\u00f3n: Eva V\u00e1zquez de Reoyo&nbsp;|&nbsp;Comedia<\/em>&nbsp;<\/p>\n\n\n\n<p><em>Ma\u00f1ana s\u00ed que s\u00ed<\/em>&nbsp;se centra en la espera, la promesa aplazada y los peque\u00f1os autoenga\u00f1os cotidianos. A trav\u00e9s de una situaci\u00f3n aparentemente sencilla, el cortometraje retrata con sensibilidad los mecanismos de evasi\u00f3n emocional y la dificultad de afrontar decisiones vitales, construyendo un relato cercano y reconocible.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"578\" data-id=\"7884\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Manana-si-que-si-1024x578.webp\" alt=\"\" class=\"wp-image-7884\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Manana-si-que-si-1024x578.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Manana-si-que-si-500x282.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Manana-si-que-si-768x434.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Manana-si-que-si-1536x867.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Manana-si-que-si-2048x1156.webp 2048w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Manana-si-que-si-1568x885.webp 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Screenshot<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"7883\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Manana-si-que-si_sofa-1024x576.webp\" alt=\"\" class=\"wp-image-7883\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Manana-si-que-si_sofa-1024x576.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Manana-si-que-si_sofa-500x281.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Manana-si-que-si_sofa-768x432.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Manana-si-que-si_sofa-1536x864.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Manana-si-que-si_sofa-2048x1152.webp 2048w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Manana-si-que-si_sofa-1568x882.webp 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Screenshot<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"577\" data-id=\"7882\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/MSQS_Miguel-Pancorbo-1024x577.webp\" alt=\"\" class=\"wp-image-7882\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/MSQS_Miguel-Pancorbo-1024x577.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/MSQS_Miguel-Pancorbo-500x282.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/MSQS_Miguel-Pancorbo-768x432.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/MSQS_Miguel-Pancorbo-1536x865.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/MSQS_Miguel-Pancorbo-2048x1153.webp 2048w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/MSQS_Miguel-Pancorbo-1568x883.webp 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Screenshot<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Montecarlo 67<\/strong>&nbsp;<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"731\" height=\"1024\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/CARTEL-MONTECARLO-67_page-0001-731x1024.webp\" alt=\"\" class=\"wp-image-7885\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/CARTEL-MONTECARLO-67_page-0001-731x1024.webp 731w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/CARTEL-MONTECARLO-67_page-0001-357x500.webp 357w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/CARTEL-MONTECARLO-67_page-0001-768x1076.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/CARTEL-MONTECARLO-67_page-0001-1097x1536.webp 1097w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/CARTEL-MONTECARLO-67_page-0001-1462x2048.webp 1462w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/CARTEL-MONTECARLO-67_page-0001.webp 1476w\" sizes=\"auto, (max-width: 731px) 100vw, 731px\" \/><\/figure>\n\n\n\n<p><em>Direcci\u00f3n: Rub\u00e9n Guindo&nbsp;| Drama, comedia<\/em>&nbsp;<\/p>\n\n\n\n<p>Chicho Ib\u00e1\u00f1ez Serrador y Pilar Mir\u00f3 se cruzan con un jovenc\u00edsimo Steven Spielberg en el Festival de Montecarlo de 1967: un encuentro que pudo haber cambiado el cine para siempre.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"467\" data-id=\"7890\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-1-1024x467.webp\" alt=\"\" class=\"wp-image-7890\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-1-1024x467.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-1-500x228.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-1-768x350.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-1-1536x700.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-1-2048x933.webp 2048w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-1-1568x714.webp 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"7888\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-2-1024x576.webp\" alt=\"\" class=\"wp-image-7888\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-2-1024x576.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-2-500x281.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-2-768x432.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-2-1536x864.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-2-2048x1152.webp 2048w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-2-1568x882.webp 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"7886\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-3-1024x576.webp\" alt=\"\" class=\"wp-image-7886\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-3-1024x576.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-3-500x281.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-3-768x432.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-3-1536x864.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-3-2048x1152.webp 2048w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-3-1568x882.webp 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"7889\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-4-1024x576.webp\" alt=\"\" class=\"wp-image-7889\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-4-1024x576.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-4-500x281.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-4-768x432.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-4-1536x864.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-4-2048x1152.webp 2048w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-4-1568x882.webp 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"7887\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-5-1024x576.webp\" alt=\"\" class=\"wp-image-7887\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-5-1024x576.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-5-500x281.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-5-768x432.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-5-1536x864.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-5-2048x1152.webp 2048w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/Fotograma-5-1568x882.webp 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>The&nbsp;Getaway<\/strong>&nbsp;<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1024\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/THE-GETAWAY-Poster-A3-724x1024.webp\" alt=\"\" class=\"wp-image-7891\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/THE-GETAWAY-Poster-A3-724x1024.webp 724w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/THE-GETAWAY-Poster-A3-354x500.webp 354w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/THE-GETAWAY-Poster-A3-768x1086.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/THE-GETAWAY-Poster-A3-1086x1536.webp 1086w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/THE-GETAWAY-Poster-A3-1448x2048.webp 1448w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/THE-GETAWAY-Poster-A3-1568x2217.webp 1568w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/THE-GETAWAY-Poster-A3.webp 1754w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/figure>\n\n\n\n<p><em>Direcci\u00f3n: Raquel Guerrero&nbsp;| Thriller social<\/em>&nbsp;<\/p>\n\n\n\n<p>Febrero de 2022, en una carretera de Ucrania.&nbsp;Yrina&nbsp;huye de los bombardeos con su hijo enfermo y, acorralada por el fr\u00edo y la urgencia, decide subir al coche de unos desconocidos para alcanzar la frontera.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"712\" data-id=\"7892\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/The-GETAWAY-1024x712.webp\" alt=\"\" class=\"wp-image-7892\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/The-GETAWAY-1024x712.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/The-GETAWAY-500x348.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/The-GETAWAY-768x534.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/The-GETAWAY-1536x1069.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/The-GETAWAY.webp 1551w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Una muerte blandita<\/strong>&nbsp;<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_POSTER_vertical-768x1024.webp\" alt=\"\" class=\"wp-image-7893\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_POSTER_vertical-768x1024.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_POSTER_vertical-375x500.webp 375w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_POSTER_vertical-1152x1536.webp 1152w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_POSTER_vertical-1536x2048.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_POSTER_vertical-1568x2091.webp 1568w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_POSTER_vertical-scaled.webp 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<p><em>Direcci\u00f3n: Mario Aranguren&nbsp;| Documental<\/em>&nbsp;<\/p>\n\n\n\n<p>Ni\u00f1os y ni\u00f1as&nbsp;(aprox. 3 a 12 a\u00f1os) comparten c\u00f3mo entienden la muerte; sus respuestas dibujan un mosaico que revela la influencia del entorno y cuestiona el tab\u00fa con una mirada inocente y frontal.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-7 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"7894\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL1-copia-1024x576.webp\" alt=\"\" class=\"wp-image-7894\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL1-copia-1024x576.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL1-copia-500x281.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL1-copia-768x432.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL1-copia-1536x864.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL1-copia-1568x882.webp 1568w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL1-copia.webp 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"7898\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL2-1024x576.webp\" alt=\"\" class=\"wp-image-7898\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL2-1024x576.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL2-500x281.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL2-768x432.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL2-1536x864.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL2-1568x882.webp 1568w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL2.webp 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"7895\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL3-1024x576.webp\" alt=\"\" class=\"wp-image-7895\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL3-1024x576.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL3-500x281.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL3-768x432.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL3-1536x864.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL3-1568x882.webp 1568w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL3.webp 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"7896\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL4-1024x576.webp\" alt=\"\" class=\"wp-image-7896\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL4-1024x576.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL4-500x281.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL4-768x432.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL4-1536x864.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL4-1568x882.webp 1568w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL4.webp 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"7897\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL5-1024x576.webp\" alt=\"\" class=\"wp-image-7897\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL5-1024x576.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL5-500x281.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL5-768x432.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL5-1536x864.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL5-1568x882.webp 1568w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNA-MUERTE-BLANDITA_STILL5.webp 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Unplug<\/strong>&nbsp;<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"734\" height=\"1024\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNPLUG_CARTEL_VERTICAL_RGB-734x1024.webp\" alt=\"\" class=\"wp-image-7899\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNPLUG_CARTEL_VERTICAL_RGB-734x1024.webp 734w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNPLUG_CARTEL_VERTICAL_RGB-358x500.webp 358w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNPLUG_CARTEL_VERTICAL_RGB-768x1072.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNPLUG_CARTEL_VERTICAL_RGB-1101x1536.webp 1101w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UNPLUG_CARTEL_VERTICAL_RGB.webp 1376w\" sizes=\"auto, (max-width: 734px) 100vw, 734px\" \/><\/figure>\n\n\n\n<p><em>Direcci\u00f3n: Rub\u00e9n Canales&nbsp;Roizo&nbsp;y Amanda G. Sotillo&nbsp;| Animaci\u00f3n<\/em>&nbsp;<\/p>\n\n\n\n<p>Yoni solo quiere cumplir con su rutina diaria: asearse y volver cuanto antes a su siguiente clase. Sin embargo, esa tarea aparentemente sencilla se convierte en una experiencia inesperada cuando, en pleno proceso, se adentra en una dimensi\u00f3n desconocida: su propio cuerpo. A trav\u00e9s de una propuesta visual en stop&nbsp;motion&nbsp;y sin di\u00e1logos,&nbsp;<em>Unplug<\/em>&nbsp;transforma un gesto cotidiano en un viaje simb\u00f3lico de descubrimiento, identidad y conciencia corporal.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-8 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"554\" data-id=\"7903\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_01_1998-1024x554.webp\" alt=\"\" class=\"wp-image-7903\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_01_1998-1024x554.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_01_1998-500x270.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_01_1998-768x415.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_01_1998-1536x830.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_01_1998-1568x848.webp 1568w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_01_1998.webp 1998w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"554\" data-id=\"7904\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_02_1998-1024x554.webp\" alt=\"\" class=\"wp-image-7904\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_02_1998-1024x554.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_02_1998-500x270.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_02_1998-768x415.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_02_1998-1536x830.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_02_1998-1568x848.webp 1568w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_02_1998.webp 1998w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"554\" data-id=\"7900\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_03_1998-1024x554.webp\" alt=\"\" class=\"wp-image-7900\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_03_1998-1024x554.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_03_1998-500x270.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_03_1998-768x415.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_03_1998-1536x830.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_03_1998-1568x848.webp 1568w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_03_1998.webp 1998w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"554\" data-id=\"7901\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_04_1998-1024x554.webp\" alt=\"\" class=\"wp-image-7901\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_04_1998-1024x554.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_04_1998-500x270.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_04_1998-768x415.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_04_1998-1536x830.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_04_1998-1568x848.webp 1568w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_04_1998.webp 1998w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"554\" data-id=\"7902\" src=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_05_1998-1024x554.webp\" alt=\"\" class=\"wp-image-7902\" srcset=\"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_05_1998-1024x554.webp 1024w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_05_1998-500x270.webp 500w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_05_1998-768x415.webp 768w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_05_1998-1536x830.webp 1536w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_05_1998-1568x848.webp 1568w, https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/UP_STILL_05_1998.webp 1998w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p><strong>Una trayectoria consolidada al servicio del cortometraje<\/strong>&nbsp;<\/p>\n\n\n\n<p>A lo largo de sus m\u00e1s de veinte a\u00f1os de historia,&nbsp;<em>Madrid en Corto<\/em>&nbsp;se ha consolidado como una&nbsp;<strong>marca de calidad y prestigio<\/strong>&nbsp;dentro del circuito internacional del cortometraje. Las obras seleccionadas en sus distintas ediciones acumulan&nbsp;<strong>m\u00e1s de 12.000 selecciones en festivales y cerca de 2.000 premios<\/strong>, adem\u00e1s de&nbsp;<strong>37 nominaciones a los Premios Goya<\/strong>, con 12 galardones obtenidos. El m\u00e1s reciente, en 2025, fue el Goya&nbsp;a&nbsp;Mejor Cortometraje Documental para&nbsp;<em>Semillas de Kivu<\/em>, de N\u00e9stor L\u00f3pez y Carlos Valle Casas.&nbsp;<\/p>\n\n\n\n<p>La iniciativa est\u00e1 gestionada por la&nbsp;<strong>ECAM (Escuela de Cine y Audiovisual de la Comunidad de Madrid)<\/strong>&nbsp;a trav\u00e9s de su departamento de industria, y contin\u00faa siendo una herramienta clave para&nbsp;<strong>impulsar el talento emergente y posicionar el formato corto<\/strong>&nbsp;en los principales escaparates audiovisuales.&nbsp;<\/p>\n\n\n\n<p>M\u00e1s informaci\u00f3n sobre el programa en&nbsp;<a href=\"http:\/\/www.madridencorto.es\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>www.madridencorto.es<\/strong><\/a>.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Comunidad de Madrid ha anunciado los ocho cortometrajes que integrar\u00e1n el&nbsp;cat\u00e1logo&nbsp;Madrid en Corto 2026, una iniciativa que garantiza durante un a\u00f1o la&nbsp;distribuci\u00f3n nacional e internacional&nbsp;de las obras seleccionadas mediante una estrategia personalizada y dotaci\u00f3n econ\u00f3mica espec\u00edfica.&nbsp; Promovido por la&nbsp;Direcci\u00f3n General de Cultura e Industrias Creativas&nbsp;de la Consejer\u00eda de Cultura y Turismo,&nbsp;Madrid en Corto&nbsp;es uno [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":7908,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-7865","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","entry"],"featured_image_url":"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/BLOG_madridCorto26-carteles.webp","featured_medium_image_url":"https:\/\/filmmadrid.com\/noticias\/wp-content\/uploads\/2026\/02\/BLOG_madridCorto26-carteles-500x281.webp","_links":{"self":[{"href":"https:\/\/filmmadrid.com\/noticias\/wp-json\/wp\/v2\/posts\/7865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmmadrid.com\/noticias\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmmadrid.com\/noticias\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmmadrid.com\/noticias\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/filmmadrid.com\/noticias\/wp-json\/wp\/v2\/comments?post=7865"}],"version-history":[{"count":4,"href":"https:\/\/filmmadrid.com\/noticias\/wp-json\/wp\/v2\/posts\/7865\/revisions"}],"predecessor-version":[{"id":7909,"href":"https:\/\/filmmadrid.com\/noticias\/wp-json\/wp\/v2\/posts\/7865\/revisions\/7909"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmmadrid.com\/noticias\/wp-json\/wp\/v2\/media\/7908"}],"wp:attachment":[{"href":"https:\/\/filmmadrid.com\/noticias\/wp-json\/wp\/v2\/media?parent=7865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmmadrid.com\/noticias\/wp-json\/wp\/v2\/categories?post=7865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmmadrid.com\/noticias\/wp-json\/wp\/v2\/tags?post=7865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}